The Anthropocene Exhibition, launched in 2018, uses digital mediums to reinforce the seriousness of environmental degradation and humanity’s role in causing it. Edward Burtynsky was one of three featured Canadian artists at the festival at the National Gallery in Ottawa who utilized 3D projection to display a photo of a massive pile of burning elephant tusks in Nairobi National Park, Kenya. The photo itself was meant to drive home the greed and ruthlessness with which elephants are culled for their ivory, and the steps taken to try to stop it from entering the marketplace; tusk burnings are a popular manner of sending a signal to poachers and the larger black market about the unacceptability of the practice. But Burtynsky’s work displayed in 3D allows for an enhanced experience for the user; it becomes more real, more life-sized. The hope of the exhibition was to highlight the use of digital technologies as a way to drive home the seriousness that 2D and other traditional mediums cannot. The tactile nature of many of the exhibits makes the exhibit and Burtynsky’s exhibit unique. However, there were criticisms that the exhibit didn’t leave visitors with a sense of what could be done to help as individuals and communities.
Categories
Aesthetic/Leisure, Illegal Resource Extraction, Psychology, Visual Technologies
Air Pollution Robot
The dangers of air pollution to human health are well documented, though the traditional methodology of collecting and reporting on sample lags behind the need to keep abreast and regulate air pollution in a meaningful amount of time. The use of drones and robots have been identified by researchers as resources that can be tweaked […]
Artificial Life, Biodiversity, Climate Change, Ecological Monitoring, Industry/Natural Commodities, Lifestyle, Monitoring
Telematic Rivers
Erica Kermani’s artwork seeks to answer a central question: if rivers were seeing an equal, living entity, would humans take issues like climate change threatening them more seriously? In his year-long art exhibition in 2017, Kermani, in collaboration with Diana Salcedo & Jeana Chesnik, created a new forum of interaction between humans and rivers to […]
Climate Change, Ecological Monitoring, Lifestyle, Monitoring, Pollution, Visual Technologies
Co-occupied Boundaries
Art is easily found in nature but rarely is what considered art today inherently natural. The concept of co-occupied mediums that serve to be both functional for nature and aesthetically pleasing to people is being actively explored by Asya Ilgun and Phil Ayres, from the CITAstudio at The Royal Danish Academy of Fine Arts. In […]
Climate Change, Ecological Monitoring, Lifestyle, Monitoring, Pollution, Visual Technologies