Staged by artistic collective HeHe in 2013, FACT Liverpool’s main gallery was transformed into an experimental drilling site. As the exhibition name (Fracking Futures) suggests, HeHe focused on the multiplicity of negative side effects from fracking. Incorporating light, sound and image, the multi-sensory exhibit mimics a typical drilling site in appearance, albeit with more stylized touches: the viewer is exposed to subterranean noise, ground tremors, and the spray of diluted chemicals. Fracking Futures gives individuals the opportunity to explore their reaction to fossil fuel extraction technology as they explore the gallery space, stimulating a personal dialogue on the modern consumption economy and environmental catastrophe. Can such an artistic experience be accurate, and can it be unbiased? HeHe’s artists argue that their goal is not to be completely accurate, but rather to stimulate debate on technologies that supply significant amounts of fossil fuels, but whose mechanisms are rarely understood by the general public.
Ravilious, K. (2013). Fracking as art. New Scientist, 219(2928), 45.
See also:
Fracking Futures: Arts Catalyst. (2013, June 13). Retrieved from https://www.artscatalyst.org/fracking-futures
Categories
Aesthetic/Leisure, Industry/Natural Commodities, Pollution, Psychology
Air Pollution Robot
The dangers of air pollution to human health are well documented, though the traditional methodology of collecting and reporting on sample lags behind the need to keep abreast and regulate air pollution in a meaningful amount of time. The use of drones and robots have been identified by researchers as resources that can be tweaked […]
Artificial Life, Biodiversity, Climate Change, Ecological Monitoring, Industry/Natural Commodities, Lifestyle, Monitoring
Telematic Rivers
Erica Kermani’s artwork seeks to answer a central question: if rivers were seeing an equal, living entity, would humans take issues like climate change threatening them more seriously? In his year-long art exhibition in 2017, Kermani, in collaboration with Diana Salcedo & Jeana Chesnik, created a new forum of interaction between humans and rivers to […]
Climate Change, Ecological Monitoring, Lifestyle, Monitoring, Pollution, Visual Technologies
Co-occupied Boundaries
Art is easily found in nature but rarely is what considered art today inherently natural. The concept of co-occupied mediums that serve to be both functional for nature and aesthetically pleasing to people is being actively explored by Asya Ilgun and Phil Ayres, from the CITAstudio at The Royal Danish Academy of Fine Arts. In […]
Climate Change, Ecological Monitoring, Lifestyle, Monitoring, Pollution, Visual Technologies